One voice seized me more than the rest. Over a simply picked banjo, the voice sang mournfully about a mole in the ground. Elsewhere, the same voice preached, over that same simple banjo, about dry bones. Like so many folk tunes, these told strange, elliptical stories, dense with images, exploding with emotion.
Arthel Lane “Doc” Watson is a living legend. Born in Deep Gap, North Carolina, in 1923, into a family with a rich musical tradition, Young Arthel lost his vision to an eye infection prior to his first birthday. He learned ballads and sacred songs from his mother and from the radio.
Dulcimers come in two versions. The so-called “mountain dulcimer” looks like a skinny fiddle with 3 to 6 strings, sits across the player’s lap, and is plucked with the fingers. The other consists of a box frame with 40-120 strings; because its sound is produced by hitting the strings with small mallets, it is often called the “hammered dulcimer”. . .
Etta Baker was an important Appalachian blues guitarist. Born in North Carolina’s Piedmont in 1913, she spent her adult life in the mountain town of Morganton. Her mixed African-American, Irish, and Native American heritage gave her important insights into many different musical styles.
Thomas Wolfe was born to Julia and W.O. Wolfe in 1900. The youngest of eight children, he grew up living in the boardinghouse operated by his mother in Asheville, North Carolina. His childhood experiences influenced him greatly and aided the development of his future literary topics.
Tonya Carroll (B.A., 2007 M.A., 2009) with Bruce Frazier (Carol Grotnes Belk Endowed Professor in Commercial & Electronic Music) in the recording studio.